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Research Mama
Reviewed in the United States on January 9, 2021
I picked up the RE27 after trying out the Shure SM7B and the RE20. The SM7B was the most gain hungry of the bunch and had the flattest frequency response, which is great for audio engineers as a "blank canvas" to work with. I used the mic for live meetings and video voice overs so I wanted something that sounded better without the need to equalize [for the meetings].I saw a comparison between the SM7B and the RE20 and thought the latter blew the former out of the water for spoken word; it adds more presence and sounded more authoritative (you'll see this adjective a lot when researching on the RE20). I bought it and enjoyed the sound for a bit but then saw a video comparing it to the RE27...Before I continue with my opinion, I should add that everybody's voice is different and these mics might sound better/worse for you. For me, the RE27 outperforms the other two mentioned here. It's not nearly as muddy as the SM7B and RE20, and requires slightly less gain (SM7B required the most, RE20 was a little better, RE27 requires the least).The lack of coloration/proximity effect is nice. It also has three manual switches that will affect the sound--a high-pass filter (-3DB for higher frequencies that can help with sibilance), a mid-range filter (100-1000Hz) which I keep off because it makes your voice sound flat, and a bass rolloff.I'll add to this review once I have more time for it but I thought I'd write this up for anybody comparing the three mics mentioned here.
SWH
Reviewed in the United States on January 3, 2020
I've used a variety of mics for different applications over the years, this is my favorite for spoken word. I use this mic for audiobooks, podcasts, and overdubbing videos. It was a tough choice between RE27, the RE20 (my long time favorite), and Shure SM7B, but I feel the RE27 gives the most crisp, clean, and modern sound. If you're trying to mimic the sound of terrestrial radio stations, the RE20 is the way to go. The SM7B is loved by many and I'm not going to knock it, but I feel if you're trying to get the most clear and accurate sound, the RE27 is my choice.Every voice is different but I feel this mic is a little bright in its neutral position, so I use the built in filter and roll off the top. The mic is very well built–solid construction, quality materials, strong, and attractive. It's one of the most expensive dynamic mics out there, but I've been very happy with mine. If taken care of, it will last a lifetime.
PETER ALLANSON
Reviewed in the United Kingdom on December 31, 2018
This microphone is being used with a kenwood 990 amateur transceiver were this microphone gives unrivalled performance the audio quality is excellent I chose this microphone after hours of listening to tests between others it’s rather large but gives absolute true sounding audio of very high quality
A. Meyer
Reviewed in the United States on April 26, 2018
This RE 27 is like 3 microphones in one, In normal setting it sparkles with clarity and a nice even bass at the low end.If you use the bass roll-off switch it sounds like it's cousin, the warm RE 20. Very quiet, great polar pattern, and doesn't pick up every little noise in the room. I have an average voice and it sounds spectacular on this mic. I also tried it with a standard foam filter (mesh is even better), and the sound did not lose any luster and it cancelled most of my plosives. Remember, this microphone already has some pop filter material built into it. ... Plus, if you speak directly into it there is barely a hint of proximity effect, so your voice won't sound deeper, but will sound very accurate. Also very good for drum/kick drum amplification. Electro-Voice microphones have sustained their legacy as one of the most sought after broadcast microphones in the industry. This baby is a solid winner! Still the best sounding and most satisfying microphone I own.. Add a Fethead for dynamic microphones and it becomes turbocharged and even cleaner!
Ron Rinomato
Reviewed in Canada on February 11, 2016
Great sounding mic for broadcast....
Mike
Reviewed in the United States on June 11, 2014
I record a podcast with two main hosts. We used to use nice (AKG 420) condenser mics with pop filters attached, but I found the variability as the hosts moved their heads to be a real problem.As soon as I placed this microphone in front of each host, most of my headaches went away. The Variable-D technology that they talk so much about (which seemed gimmicky) on the product actually works beautifully. Listening back, all that variability is gone, and though the hosts haven't changed how they talk into the mics, the sound no longer reflects their movements. Another plus is that the internal plosive/pop screen seems to suffice, so I don't have to lug around the akward pop filtersI have had no issue plugging these into a Zoom H6 recorder and getting great signal, the lack of line noice is amazing! An added bonus is that I no longer have to use the phantom power which helps a lot in battery life, nice for when you are on location and you forgot to bring extras!Watching videos online comparing this mic to it's older brother, the much lauded Electro-Voice RE-20, they mention that the high end is more pronounced in this mic, I found this to be true, but the high end roll-off switch seems to compensate for this quite well. It's especialy helpful if you have someone who lovesss to draw out their "S" sounds.I appreciate this top end sensitivity at times though, as I've also collected some lovely field audio with this mic. The crack of lightening absolutely sparkles when recorded by this mic.
Rick Zanotti
Reviewed in the United States on August 26, 2009
I ordered this mic from Amazon/BSW about a month ago. I had some doubts about getting a dynamic mic, but after talking with and listening to Mark Jensen's podcast at [...], I went ahead and purchased it.My fears were unfounded and this has become my favorite mic. It has a rich sound, can be used off-axis, and greatly reduces room noise.The mic is incredibly well built, solid with a large diaphragm. It seems to have more gain than many dynamic mics and on the Presonus MaxRack system we have including a Tube Pre, Compressor and Equalizer, it sounds rich, full and extremely professional.A dynamic mic may not be for everyone, but if you do voice-over, this is an excellent choice. My next dynamic will be a Heil Sound PR40, which also looks like a great mic... Can't have enough mics. :)
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