空間系エフェクターの一つ

I picked up the FC-05 modulation pedal about a year and a half ago, put it on my board and was very impressed. I won't go into what impressed me because that's no longer relevant. After playing it a few times I thought it was a keeper, but fast-forward to today when I tried to use it and it emits a monotonous hum on all settings. I imagine a component failed, which is likely due to using cheap parts, which is why you get the pedal so cheap, which is proof that you get exactly what you pay for. I don't recommend it.

This is now my go to effects pedal for my bass guitar. I am more than pleased, this box delivers the the sound I've been wanting from a mod pedal, highly recommend. I've been playing with this pedal all day and I'm very happy. Quality is great and easy to use. The design is traditional idea is great. Idea is nice.

verry good sound for the price it s a good delay

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I wanted to try auto wah / envelope filter on my basses for funk without spending much, so since I've enjoyed Flamma products in the past, I decided to give the FLAMMA FC11 Auto Wah Pedal a shot.First, be aware that it's tiny, and it requires a power supply. I had spots left on my power supply, so I was fine with that. It doesn't use a battery, so you will need a power supply.After trying it with a Jazz bass and a Bronco, here's what I found. This pedal offers somewhat subtle quack - it's there, and you can absolutely hear it. The odd thing is you can hear it more when playing with moderate attack - if you slap, the quack becomes inaudible. I'm guessing that if you use this pedal with a compressor, you'll be able to adjust things so you always get quack, but I don't use a compressor as I like to vary my dynamics, so when I slap or play hard would be when I want more quack, and this pedal doesn't do that.I think if you use a compressor ahead of this pedal on your signal chain or simply don't play very hard, you'll get enough quack to deliver some funk or other styles where you need auto wah. Not only does this pedal NOT suck the bass out of my tone (yay!), but And it is silent - no hiss, no hum, no snap, crackle or pop. And you can't beat the price plus if you have only a part of a space on your board, chances are this pedal will fit. Overall, a good pedal at an excellent price, if not quite what I had in mind.

°°° analog chorusMuy buen efecto, bien construido, de buena calidad, por el precio es insuperable. Tonos cálidos de chorus, clásicos de los 80s, tal vez algo nirvanesco tambien. Un plus que tenga control de volumen para agregar modulación o hacerla más sutil. Tal vez solo agregaría la opción de quitar la señal limpia para que sea vibrato. Pero de ahí en más excelente pedal. Recomendado!°°°ahora compré el flangerMe gustó mucho el chorus y decidí conseguir el flanger ahora. Al igual que el chorus tiene muy buenos tonos , es mi primer flanger y la verdad me gustó mucho, con distorsión suena excelente. Por el precio es excelente, súper recomendado!°°° tenía que probar el tremoloAcabo de probar este el FC16 y al igual que los anteriores me sorprendió la calidad por el precio. El control de bias está interesante. También recomiendo mucho este pedal si solo requieres un tremolo sencillo sin tantas complicaciones, muy bonitos tonos°°° Este booster cumple muy bien levanta muy bien la señal, funciona muy bien al inicio de la cadena y al final para subir el volumen de toda la cadena de fectos que tengas. Súper recomendado por el precio°°° El Black Dist es sin duda una de las mejores distorsiones que he escuchado. Es todo el tono clásico que tiene el proco-rat2 pero además con el modo turbo, excelentes prestaciones, tamaño amigable, bien construido, sin ruidos, una maravilla, un super rat con dos modos. Altamente recomendado°°° El Brit Dist es una excelente distorsión, emula el sonido Marshall, se combina muy bien con otros distor como el Black Dist o el booster. Es una excelente opción si buscas este tipo de tono. Recomendado°°° El Analog Delay suena increíble, es un pedal muy sencillo pero con un tono muy agradable, no estoy seguro que sea verdaderamente a analógico pero definitivamente es un buen delay. Por el precio, su construcción y sonido está súper recomendado

The FC14 (analog chorus), FC15 (analog flanger), and FC16 (optical tremolo) are my fifth, sixth, and seventh Flamma pedals. I discovered the brand a couple years ago and decided to try them out. I was skeptical at first because of the low low price, but as soon as I started turning the knobs I was immediately impressed. I ordered a few other pedals over the course of the following months.FC15 Analog Flanger:I'm a big fan of time delay effects and the flanger is probably my favorite of that kind. I've used many different flangers over the years and have ended up having various pedals which excel at a particular flange sound. For a $40 pedal, I wasn't expecting this Flamma to hold its own against the likes of my DOD, Ibanez,and Digitech pedals, but it really did give them a run for their money.I played with the FC15 for about an hour running through riffs from different genres and swapping around guitars. I was able to get all kinds of noises out of this little pedal. Really amazing! It is great at everything from subtle jet stream flange all the way to crazy ring modulation chimes.It's an added bonus that this is a true bypass pedal that tales up so little space on a pedal board. The Flamma FC15 Analog Flanger is a perfect choice for beginners and experienced players alike.FC14 Analog Chorus:Chorus is an essential effect to have, I think, and much like with flangers, I have owned quite a few. I've used the DigiTech Chorus Factory as my main chorus pedal for a decade. I also have a great Ibanez Dual Chorus that is really nice for quickly switching between two different chorus sounds. The FC14 can't do that neat trick, but it certainly can produce the entire spectrum of chorus effect sounds I could ever need.I spent even more time playing around with this chorus pedal, not only trying different guitars, but also testing clean, distorted, and even acoustic settings. I tend to like a nice shimmering chorus to add a nice layer to my tone and I was really happy with the results I could get out of this little pedal. I could also very easily get the Nirvana and Smashing Pumpkins Small Clone-like sounds and still be able to kick it up another notch or two.As I am in the process of redoing my pedalboard, this may become the main chorus pedal. It gives me the sounds I want and takes up less space on my board.FC16 Optical Tremolo:I used to have a Boss Tremolo pedal and got rid of it when I got a Fender Twin amp with build-in trem. But when I moved abroad, I no longer had access to my amp, so I was excited to try out Flamma's optical trem. It does an excellent job of applying the effect in a way that sounds organic. I played around with settings and ran it through the effects loop and it was easy to create these crazy ambient tones as well a subtle tone that sounded very natural. It handles additional effects well too. I have a gig in August where I will use this for some songs and I'm really happy with how it sounded in just one afternoon of playing.And I have heard people complain about Flamma pedals being noisy. In my experience, they haven't been very noisy. I use a 1-spot and a daisy chain and haven't needed to add my noise gate when playing with just the Flammas. Maybe others will have different results, but that's been my personal experience.Anyway, Flamma makes good quality bang-for-your-buck pedals and I recommend giving them a try, whether you are a beginner or a pro. Even if you are a pedal hog like me.

This tiny little box packs a punch. The color and range knobs are a game changer, making this a SUPER versatile modulation pedal. Using those it is capable of creating many different common 70s Flanger sounds and beyond including some that are almost in the realm of 80s Chorus or 60s Univibe. The color knob is much like a resonance control on a moog filter. It has a range from subtle wooshing that is akin to a mild chorus to classic hollow-pipe sound all the way to howling resonant feedback like tone. The range control can be thought of as depth. It will take you from a slight wiggle in tone all the way to a strong metallic robot like sound. The rate control has a decent range from the slow climb and fall of "Baracuda" or "Ain't Talkin' 'Bout Love", all the way to a frantic warble much like the the chorus effect used in "Come As You Are" and even faster than that. The filter switch is neat, it seems to bypass the oscillation creating a cocked wah/comb filter type of effect. Using the color and range knobs with it you can select what range you wish to filter and how strong the filter is. This gives you a range of sounds from a boost in a particular frequency to a playing through a hollow tube or in a barrel all the way to an almost ring modulator sound. Overall this Flanger/Filter is well worth the price its even smaller than most mini pedals and has a ton of range in tones. It has heft to it, seems well built... Its also a cool matte PURPLE color and came with a sticker! LOL Cant beat that! Hahaha

Never expect it to be so tiny. It's a challenge to see the dial. Not bad for my first looper